f-lg.1: Both pieces (dimmed, floating colored plane and its resultant collage) are by Hideki Nakajima.
f-lg.2: Hideki Kimura, New Fall, Two pools (1992), silkscreen on BFK.
f-lg.3: From Inf-inity Libraries, by Hideki Nakajima (Collage of written characters, lines scribbled across the plane, colored and shadowed surfaces).
f-lg.4: Norio Nakaji, George Town (2000), Kelly –New York School (1997), silkscreen.
f-lg.5: Nana Ando, Work I-6 (1988), silkscreen.
f-lg.6: Hiroaki Hamada, Untitled (1988), canvas, silkscreen, fabric, conte crayon.
f-lg.7: Claude Monet, Nympheas (1916-19), oil on canvas.
f-lg.8: Georges Braque, Glass, Carafe, and Newspapers (1914), pasted papers, chalk and charcoal on cardboard.
f-lg.9: Hideki Nakajima, El Mar Mediterrani (layered structure=layer collage). Layers of crushed glass, photographed from the side. It is also an illustration of Nakajima's layered extensity (as described later).
back
f-lg.10: Richard Diebenkorn, Ocean Park No.112 (1978), oil on canvas.
Diebenkorn in his late years began making abstract paintings, also reinterpreted the layering of collage.